
Tuesday, September 5, 2017
Nice Bike Rack
Saturday, August 19, 2017
The Homecoming
Friday, July 31, 2015
Lee Mong Kow Family 1905
Saturday, June 20, 2015
Graffiti
Friday, July 4, 2014
Excellent Mural
Saturday, September 21, 2013
The Hands of Time 4 - Carrying Point Blankets
Here's the final instance of The Hands of Time sculpture series, a dozen small sculptures by Crystal Przybille that depict life-size hands engaged in activities symbolic of Victoria's past. The hands above are carrying Point Blankets, a kind of blanket that was much treasured by indigenous peoples when the Hudson's Bay Company first began to trade on this coast. The placement of this particular sculpture is very fitting; it is located on The Hudson, a building that formerly was occupied by the Hudson Bay Company store, the retail descendant of the trading giant that brought these blankets to this coast. The sculpture is on one side of the entrance to what has just opened as Victoria's new public market on the ground floor of this building. We'll have a look inside the market next week. Click The Hands of Time if you want to see all twelve of these small sculptures. |
Thursday, September 19, 2013
Monday, May 31, 2010
The Commerce Canoe - Public Art in Bastion Square
The last time the sun was shining here I went downtown to see what was happening in Bastion Square, the heart of the old city of Victoria, and I realized while I was there that I had never featured a photo of the most recent installation of public art in the square, pictured above. The sculpture is by Illarion Gallant and is called "The Commerce Canoe."
Seeds are symbolic of potential, said Gallant, in explaining why they are featured in his work. "What is the potential of the city for growth over time?"
The sculpture in [being] silver, green and red "is supposed to be optimistic."
The canoe is a deeply Canadian symbol, said Gallant, adding he has used its form in other sculptures.
(From the Times-Colonist March 2, 2008)
Wednesday, February 4, 2009
On the Back of a Whale
A fairly common form of public art these days is paintings on the exteriors of animal sculptures distributed around the city. I don't know enough about urban politics or art to understand why this has become popular. Perhaps someone can explain it. Victoria's animal choice is the Orca or killer whale and the people in the painting above are on the back of the whale in front of Victoria Visitors Information Centre. Whatever the rationale for this installation I am happy to see so much colour in this season's gray streets. (Added later: click here to see a bunch of urban cows in Madrid.)
I suspect the Orca has been chosen because whale-watching is a popular tourist pastime here. Victoria is one of the few cities in the world where you can view whales in their natural habitat within a half an hour from the Inner Harbour. There are about 15 pods of Orca that live in the area and numerous whale-watching excursions available year round.